Catalogue Essays and Entries
“‘Show Me the Way a People Dine’: Gorham Silver in America,” in Gorham Silver, Designing Brilliance 1850–1970. Providence: Museum, Rhode Island School of Design, 2019
“The Space Between,” in Rooted, Revived, Reinvented: Basketry in America. Columbia, Missouri and Atglen, Pennsylvania: University of Missouri Museum of Art and Archeology, and Schiffer Publishing, 2017
“The Low Made High: Ralph Bacerra, Pattern Decoration, and China Painting,” in Exquisite Beauty: The Ceramics of Ralph Bacerra. Los Angeles: Ben Maltz Gallery and Otis College of Art and Design, 2016
“American Art Jewelry: Louis Comfort Tiffany,” in Maker and Muse, Women and Early Twentieth Century Art Jewelry. New York and Chicago: Monacelli Press and Driehaus Museum, 2015
“’Blazed with Diamonds: New Yorkers and their pursuit of jeweled ornament,” in Gilded New York: Design, Fashion & Society. New York: Monacelli Press and the Museum of the City of New York, 2013.
“Jan Yoors in New York,” in Jan Yoors, 1922–1977. Museum Felix De Boeck, Drogenbos, Belgium, 2012
“A Harmony of the Spheres: The Jewelry of Mary Lee Hu,” in Knitted, Knotted, Twisted, & Twined: The Jewelry of Mary Lee Hu. Bellevue, WA: Bellevue Art Museum, 2012
“Craft is Art is Craft,” in Jeannine Falino, ed., Crafting Modernism: Midcentury American Art and Design. New York: Museum of Arts and Design with Harry N. Abrams, 2011
“On His Own Terms: The Life and Times of Gary Noffke,” in Attitude and Alchemy: The Metalwork of Gary Lee Noffke. Charlotte, NC: Mint Museum of Craft + Design, 2011
“America: A Tale of Two Tiffanys,” in Stephen Harrison, Emanuel du Camp, and Jeannine Falino, Artistic Luxury: Fabergé — Tiffany — Lalique. Cleveland, New Haven, and London: Cleveland Museum of Art in Association with Yale University Press, 2008
“‘Unsurpassed in Splendor’: Exhibitions and Expositions,” in Jeannine Falino and Yvonne Markowitz, American Luxury from the House of Tiffany. Suffolk, UK: Antique Collectors Club, 2008
“The Lyrical Gesture in Iron,” in L. Brent Kington: Mythic Metalsmith. Whittington, IL: Illinois State Museum, Southern Illinois Art Gallery, 2008
“The Emergence of American Studio Crafts: A Primer,” in Karl Drerup (1904–2000), Enchanted Garden: Enamels by an American Master. Plymouth, N.H.: Karl Drerup Art Gallery at Plymouth State University, 2007
“American Metalwork Between the Wars,” in Charlotte Benton et al, eds. Art Deco 1910–1930. London: Victoria and Albert Museum, 2003
“’The Pride Which Pervades thro’ every Class’: The Customers of Paul Revere II,” in Colonial Silver and Silversmithing in New England, 1620–1815. Boston: The Colonial Society of Massachusetts, 2001
“Women Metalsmiths, 1900–2000,” in Women Designers in the USA, 1900–2000. New York: The Bard Graduate Center for the Decorative Arts, 2000
“I am a craftsman, but sometimes I think I have been an artist,” in Richard H. Reinhardt, Full Circle: A Legacy of Metal Work. Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, 1998
“Circles of Influence, Metalsmithing in New England,” in Inspiring Reform: Boston’s Arts and Crafts Movement. Wellesley, MA: Davis Museum and Cultural Center, 1997
"The Monastic Ideal in Rural Massachusetts: Edward Pearson Pressey and New Clairvaux," in Bert Denker, ed., The Substance of Style: New Perspectives on the American Arts and Crafts Movement. Winterthur, Delaware: Henry Francis DuPont Winterthur Museum, 1996
“Metalsmithing at Midcentury,” in Sculptural Concerns: Contemporary American Metal Working. Cincinnati, Ohio: The Contemporary Arts Center and Fort Wayne, Indiana: Fort Wayne Museum of Art, 1993